Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Friday, June 15, 2012

Poetry for dads

To all the dads out there, here's wishing you a happy Father's Day surrounded by people who care about you. If you're looking for a poem to share to celebrate dad, here's a list of poetry books about fathers (lifted from my latest book, The Poetry Teacher's Book of Lists). There are plenty to choose from!

Poetry Books about Fathers

Although mothers get many poetic tributes, fathers deserve their chance, too. Whether it’s for Father’s Day, dad’s birthday, or other occasions, sharing a poem with a focus on fathers can make for a memorable moment.

  1. Appelt, Kathi. 2004. My Father’s Summers: A Daughter’s Memoirs. New York: Henry Holt.
  2. Clifton, Lucille. 1983. Everett Anderson's Goodbye. New York: Holt, Rinehart, and Winston.
  3. Fletcher, Ralph J. 1999. Relatively Speaking: Poems about Family. New York: Orchard.
  4. Grimes, Nikki. 1999. Hopscotch Love: A Family Treasury of Love Poems. New York: Lothrop, Lee & Shepard.
  5. Grimes, Nikki. 1999. My Man Blue: Poems. New York: Dial Books.
  6. Grimes, Nikki. 2002. When Daddy Prays. Grand Rapids: Eerdmans.
  7. Hoberman, Mary Ann. 1991. Fathers, Mothers, Sisters, Brothers: A Collection of Family Poems. Boston: Joy Street.
  8. Hoberman, Mary Ann. 2009. All Kinds of Families. New York: Little, Brown.
  9. Hollyer, Belinda. 2003. Ed. The Kingfisher Book of Family Poems. New York: Kingfisher.
  10. Hopkins, Lee Bennett. 2005. Ed. Days to Celebrate: A Full Year of Poetry, People, Holidays, History, Fascinating Facts, and More. New York: Greenwillow.
  11. Livingston, Myra Cohn. Ed. 1989. Poems for Fathers. New York: Holiday House.
  12. Micklos, John Jr. 2000. Daddy Poems. Honesdale, PA: Wordsong/Boyds Mills.
  13. Moss, Jeff. 1997. The Dad of the Dad of the Dad of Your Dad. New York: Ballantine.
  14. Rosenberg, Liz. 2001. Roots & Flowers: Poets and Poems on Family. New York: Henry Holt.
  15. Sidman, Joyce. 2000. Just Us Two: Poems about Animal Dads. Brookfield: Millbrook.
  16. Smith, Hope Anita. 2003. The Way a Door Closes. New York: Henry Holt.
  17. Smith, Hope Anita. 2008. Keeping the Night Watch. New York: Henry Holt.
  18. Steptoe, Javaka. Ed. 1997. In Daddy's Arms I Am Tall: African Americans Celebrating Fathers. New York: Lee & Low Books.
  19. Strickland, Dorothy S. and Michael R. Strickland. Eds. 1994. Families: Poems Celebrating the African-American Experience. Honesdale, PA: Wordsong/Boyds Mills.

Please let me know if I missed any of your favorites. And for more on The Poetry Teacher's Book of Lists, go here.

Meanwhile, join the Poetry Friday group hanging out at A Year of Reading.

Image credit: 

blogs.curtin.edu.au


Posting by Sylvia M. Vardell © 2012. All rights reserved.

Friday, August 26, 2011

Emma Dilemma

Courtney Komar and Kendra Caskey both developed readers' guides for Emma Dilemma; Big Sister Poems by Kristine O'Connell George. Both offer a wealth of resources and connections for using this wonderful book with children.

Here is Courtney Komar's guide.

George, Kristine O. 2011. Emma Dilemma: Big Sister Poems. Ill. by Nancy Carpenter. New York: Clarion Books. ISBN 978-0-618-42842-7

Recommended Age Levels 7-11

Summary of Book
In this touching collection of 34 beautiful poems, the reader is introduced to the experiences that Jess and her younger sister, Emma share. Jess, portrays the range of emotions that she endures as she captures the hearts of the reader by sharing her struggles of being a big sister. Emma looks up to her big sister and often emulates Jess’s actions. She is a loving and supportive younger sister who always wants to tag along with Jess whenever possible. Jess, being the older sister is often frustrated by Emma but is confronted with a “dilemma” as she wants to be the best big sister possible. Jess often wants her space, as seen in the “Freedom” poem as she asks her mom to promise to “keep Emma out of our way” while she plays with her friend Sasha. When Emma breaks her arm trying to climb the tree Sasha and Jess are in, Jess is filled with an overwhelming sense of guilt, feeling as if Emma’s injury is her fault. As each story unfolds, the reader captures the emotional bond that Jess and Emma have while highlighting the significance of family. The incredible union that is shared between these sisters is immaculately presented by Kristine George as she conveys the tender emotions expressed by each character. Nancy Carpenter’s engaging illustrations bring each heartfelt experience to life through her use vivid of pastel-lined drawings. Together, this talented duo capture the meaning of sisterhood while delicately addressing the emotional impact that is sustained through our life experiences.

Review Excerpts
“Jessica shares the struggles of being the big sister in this collection of 34 poignant poems. The fourth grader's three-year-old sister, Emma, vacillates between being sweet and lovable and being Jessica's biggest problem. She wants to be a good sibling, but little sisters can try one's patience. In one poem, Jessica generously allows Emma extra space to draw, but in the entry on the facing page she only grants Emma a "teeny twig" in her family tree. Spring-colored line drawings in pen-and-ink and digital media are filled with engaging details, expressive characters, and lots of humor, and bring the family dynamics to life while the verses build to a climactic situation that brings these youngsters together in a touching way.”
-School Library Journal

“The poems and art tell an absorbing story—complete with a few tense moments and a warm, believable conclusion—widening the audience and making this book more than just an opportunity for big sisters to nod their heads in total recognition." -The Horn Book

"The vignettes form such a vivid portrait of Emma and Jessica that readers may feel as if they personally know them—and a tense turn of events will have readers holding their breath." 
 -Publishers Weekly

Awards/Honors Received
• Junior Library Guild Selection, 2011

Questions to Ask Before Reading

Prior to introducing Emma Dilemma: Big Sister Poems, invite children to discuss the following questions:
Before showing the book to each child, ask “What types of experiences come to mind when you think of your siblings?” After listening to some of the responses, share the title of the book and ask, “What do you think this book is going be about?”
What do you enjoy doing with your siblings? Do you ever feel frustrated with them? Do you enjoy spending time with them?
Do you have a role model? Can you think of a time where you looked up to your sibling or your sibling looked up to you?
Do you like collecting items or telling jokes with your siblings?
Imagine that you have a younger sibling, would you like for them to tag along all of the time? Would you enjoy playing with them often and sharing your belongings with them?
What type of roles do your older/younger siblings play? Do you look after each other and tell them your secrets?
What type of influence does your family have on you? Do you consider yourself as a good big sister/brother? Are you the younger sibling? Do you enjoy tagging along with your older sibling?

Suggestions for Reading Poems Aloud

“Dracula” –Have each member read the poem chorally based on the part given. Assign every other line to a team so that they are responding to each other. For example, one side of the class would say “Scared you!”, and then the other side of the class would say “Scared you!” Next, one side of the class would say “Did not”, as the other side of the class would echo them and respond with “Did not” as well. The teacher would read the first and last sections of the poem to the class.
“Not Funny”- Have two volunteers to act out the “Not Funny” poem, one would play Jess and one would play Emma as Emma tells her joke. Emma would begin by saying, “Knock Knock!” then Jess would reply with “Who’s there?” until the poem was demonstrated completely. This example could also be read by the entire class if they were broken into two groups as mentioned above.
“Role Model”- Each child will pick a partner to work with. The first member will choose a different voice or accent to read the poem aloud to their partner. The next partner will have to mimic that accent as they read the poem back aloud to them. This activity will be done twice so that each partner has a time to share. For example, using a southern drawl, the child says “Emma copies everything I do, and sometimes I don’t do something I might do….” as the other member of the team listens and repeats the poem back using the same accent.

Follow Up Activities:
Writing
• Jess discusses a field trip to the natural history museum along with a souvenir she bought for Emma. Have each child write about their favorite field trip they have ever been on along with a picture that coincides with that trip. If they cannot think of one, they are to write about one they would like to go on and why.
• Emma sees Jess upset about a grade that she received on her spelling test. Emma, with “full of sorry,” tries to make Jess feel better by allowing her to hold Quack for “one whole hour”. Each child will be asked to write about a time either they have felt bad and someone consoled them or a time in which they have made someone feel better. They are to answer the following questions:
What did you do? or What did someone do for you? Why did you feel bad in the first place? or Why were they feeling down that day? How did it make you feel after? or Were you able to help them out?
• Dad in the book sometimes calls Emma “Emma Dilemma”. Invite the children to write about any nicknames they have in their family either for themselves or for other family members. Ask them to explain how this name came about.

Art
• Jess has had enough of Emma entering her room without permission. In “Justice”, her dad addresses this issue by putting a lock on her door so that only Jess can enter. Each child is to make their own key in art class. They are to use construction paper, pipe cleaners, and yarn depending on how they would like their key to look. As an extension, they could a short description of their design along with who they would like to “keep away” from the use of this key.
• Emma breaks her arm trying to climb the tree to get to her sister Jess. Jess is overwhelmed with a sense of guilt as she feels as if this is all her fault. In the poem “Cast”, Jess is delighted when she gets to be the first one to sign Emma’s bright pink cast. Each student will make a paper mache cast and decorate it when they are finished using finger paints and markers. An extension of this activity would involve asking the children to sign their friend’s casts.
• In “Trespass”, Emma decides that she will design her own soccer ball using the ball she finds in Jess’s room. Each child will use colored pencil, markers, and crayons along with construction paper to design a soccer ball of their own.

Social Studies
• In the poem “Trespass”, Jess describes her feelings as she comes home to find her room in disarray as Emma has trespassed without permission. We will discuss the meaning of the word trespass and provide several examples of what trespassing involves. Each child will write a short paragraph of what trespassing means to them and how it would make them feel if someone trespassed against them. If they would prefer, each child will also be given the option to write about a time they entered their sibling’s room without permission.
• In the poem “Family Tree”, Jess has to complete a family tree for homework. She draws branches for her grandparents, parents, her uncle and a “tiny twig” for Emma. A class discussion will ensue as we discuss what it means to be a family along with what a family tree is. Each child is to go home and interview their parents as to their family makeup (heritage, when their parents were born, where etc.). To keep it simple, only the immediate family will be discussed. They are to bring in a picture for each member and create their own family tree listing characteristics associated with each family member as described above. They will present their family tree to the class, presenting 5 students each day. The other students will be allowed to ask questions if they wish regarding the students family traits.
• In the poem “Justice”, Jess feels like all of her problems are solved when she is given a key to keep her belongings safe. This act has provided Jess with justice from all of the snooping that Emma has done. There will be a short discussion on what justice means and the class will be assigned to groups of 5. Each group will be given a scenario where someone feels as if they have been treated poorly; each section will have to come up with a “just” plan to make it right. For example, Joey keeps cutting Susie in the lunch line. She has asked him repeatedly to stop, but he does so anyway. What do you think is a fair solution to remedy the problem? Keep in mind, justice is based on compassion and fairness. Your solution must be kind and fair to all people involved. Each group will present their scenario along with their solution at the end. A group discussion will follow discussing how they came up with these solutions and how this assignment made them feel.

Math
• In the poem “Telling Time”, Jess shows Emma the clock and explains to her how to tell time. There will be a short minilesson regarding reading clocks. After this lesson, the class will be broken down into groups of two and given a laminated paper clock with adjustable hands. They will also be given a work sheet with eight clocks listed with different times. The first partner is to take the first 4 times and position them on the clock so that their partner can guess what time it is. Once the partner guesses, the one with the clock will write down what their guess was. Next, they will switch roles and the other partner has to guess the time using the last 4 clock times listed on the worksheet. The class will then reconvene as a group, and there will be a small review as to what they learned, what they had trouble with and any questions they may have.
• In the poem “Sharing”, the sisters are asked to share a piece of cherry pie. Jess gets to cut it (“so very careful, making sure that both halves are very equal”) as Emma gets to choose the first piece. A minilesson will cover what it means to have “parts of a whole” using a felt cherry pie as an example. Each piece of the pie will be detachable as the concept of ¼, ½, ¾ and a whole is discussed. The teacher will model each faction by taking a piece of pie away from the whole cherry pie. Each group of two will be given a worksheet with 4 blank cherry pies. Each member is to draw a fraction card from the fractions listed above and color in the amount they select on the cherry pie page using a different crayon color for each member. They are to discuss who has the larger piece in each scenario and why. When they are finished, a short review will ensue with the class as a whole.
• “Cheating” is a poem that introduces Jess’s frustration with Emma as she cheats on every board game and card game but still seems to lose (according to Jess). Jess decides to teach Emma the hard way with “52-Card Pick Up”. There will be a minilesson review regarding addition before the activity starts. For the game, each pair of students will be given 5 cards that will have numbers on them (2-10-the royals will be taken out). Each member of the group will be asked to randomly select a card, show it to their partner, and then list that number on the blank card worksheet provided for them. After each member has selected a card, they will add the two numbers from the cards together on their worksheet. When the five rounds are finished, the class will discuss any questions or comments they have regarding this addition game.

Science
• In the “Collector” poem, Emma loves Jess because she is the only one who can remember all of the names of her rocks that she collects. There will be a small number of rocks introduced to the class along with their classification. Each student will be asked to draw these rocks on their paper and describe their characteristics listing the classification below.
• In the poem “Accident”, Emma mistakenly nocks over a potted plant in their home. Soil, pots and small plants will be provided. Each student will plant their own small plant and will be asked to take care of it each day. As an extension, the students will be asked to measure its growth each week and keep a log of what they find along with a chart displaying its growth.
• In “Fun with Yarn” Emma creates yarn art in Jess’s room while she is away. As Jess enters the room, Emma describes the mess as a “big spidey web.” A unit on spiders will be introduced along with how they create their webs and why. The students will be asked to make their own spider web using yarn as Emma did.

Related Web Sites
Family Tree
http://www.findyourfamilytree.com/
{This site may be used to create your family tree and find out where your family is from.}

Sister quotes
http://www.quotegarden.com/sisters.html
{This site is a fun and entertaining site that introduces quotes about sisters.}

Sister/Brother Poems
http://kidshealth.org/kid/talk/kidssay/comments_siblings.html
{This site offers poems written by children about their siblings.}

Poems written by children
http://www.loriswebs.com/youngpoets/
{This site offers several different poems written by children with a variety of subjects discussed.}

Kristine George-- Emma Dilemma: Big Sister Poems
http://www.kristinegeorge.com/emma_dilemma.html
{This site provides an in-depth review of Emma Dilemma along with a table of contents of each poem found in the book and teacher/student activities associated with Kristine Georges books.}

Related Books
Elementary Poetry Books by Kristine George
George, Kristine. 2005. Fold Me a Poem. Ill. by Lauren Stringer. Harcourt.
George, Kristine. 2004. Hummingbirds Nest: A Journal of Poems. Ill. by Barry Moser. Harcourt.
George, Kristine. 2001. Toasting Marshmallows: Camping Poems. Ill. by Kate Kiesler. Clarion.
George, Kristine. 1998. Old Elm Speaks: Tree Poems. Ill. by Kate Kiesler. Clarion.
George, Kristine. 1997. The Great Frog Race and Other Poems. Ill. by Kate Kiesler. Clarion.

Other Juvenile Books about Being a Big Sister/Sibling

Cole, Joanna. 2010. I’m a Big Sister. Ill. by Rosalinda Kightley. HarperFestival.
Gaydos, Nora. 2010. Now I’m Growing! I’m a Big Sister-Little Steps for Big Kids. Innovative Kids.
Katz, Karen. 2006. Best-Ever Big Sister. Grosset & Dunlap.
Greenfield, Eloise. 2009. Brothers & Sisters: Family Poems. Ill. by Jan Gilchrist. Harper Collins Children’s.

Books for Children about Writing Poetry
Janeczko, Paul. 2005. A Kick in the Head: An Everyday Guide to Poetic Forms. Ill. by Chris Raschka. Candlewick Press.
Prelutsky, Jack. 2005. Read a Rhyme, Write a Rhyme. Ill. by Melio So. Alfred A. Knoph.
Fletcher, Ralph. 2005. A Writing Kind of Day: Poems for Young Poets. Boyds Mill Press.
Fletcher, Ralph. 2002. Poetry Matters: Writing a Poem from the Inside Out. Harper Collins Children’s Book Group.
Janeczko, Paul. 2002. Seeing the Blue Between: Advice and Inspiration for Young Poets. Candlewick Press.

About the Author and Illustrator
Kristine O’Connell George didn’t “fall in love with poetry” until 1989 when she attended a poetry writing class at UCLA. In fact, she did not even think about writing until she reached her early 30’s. Now, while living in California with her family, she often finds the inspiration for her poetry everywhere she goes. She is a celebrated author who has received many awards for her work such as the Lee Bennett Hopkins Poetry Award, the Golden Kite, and IRA-CBC Children’s choice award. Due to her outstanding work, she is often speaking at conferences and schools as well as conducting poetry workshops of her own.

Nancy was “Emma” in her own family.
- “She owes her sister a big apology for borrowing her clothes and for what she did to her doll’s hair.”
Nancy Carpenter’s internship as a graphic reporter created much success for her as artwork was first displayed in the New York Times. Since then, she has created several greeting cards and has illustrated over 10 picture books such as Loud Emily by Alexis O’Neill and Little Bear’s Little Boat by Eve Bunting. She is currently living in New York with her husband and two kids.

Readers Guide By Kendra Caskey

George, Kristine O’Connell. 2011. EMMA DILEMMA: BIG SISTER POEMS. Ill. By Nancy Carpenter. New York: Clarion Books. ISBN 978-0-618-42842-7.

Summary of Book:
In this fun and witty sibling rivalry book of big sister Jessica and little sister Emma, there are thirty four poems in the forty eight pages to help feel the story of what a “big sister does” and what it means to be a “good big sister.” Jessica shares the struggles of dealing with a very energetic little sister in all things fun and whimsical. The poems are light and airy and bring about a strong sense of family ties as well as family dynamics. Working such titles as “Stuff Grownups Say” where Jessica is constantly reminded that she and Emma look like sisters even though Jess “told Emma we got her at the hardware store.” We also learn about the strong bond between siblings, especially sisters in the poem “Emma’s Hands.” In the poem titled “Translator” we learn that only Jess can understand “Emma Language” which goes on to say that “Nostrils are nozzles, calculator is a count-a-lator and Loodle Loos are peaches.” As the book works through its story line we see Jessica and Emma go through a tragic fall and what comes out of it is a stronger bond and a deeper affection for one another. This is a great start to poetry for age’s four to eight. George has a great way of working everyday life issues into the “right words” for a poem. Even something as silly as “Late for School” is fun and interesting with George’s word choice and the illustrations that are used are a wonderful addition to the great poems.

Carpenter works the pictures so as you feel you are actually experiencing the mad rush for the bus as Jess does in “Late for School.” You also feel embraced when you hear of Emma’s pet rocks and only Jess is the one who remembers all their names in the poem titled “Collector.” As a big sister myself, I can speak from experience to state that all the things that George writes of are true, Big Sister’s do have a very special job but little sister’s do as well. Working together and for each other is clear in this wonderful book of poems about working together as a team and sharing in life’s lessons.

Review Excerpts:

“The vignettes form such a vivid portrait of Emma and Jessica that readers may feel as if they personally know them – and a tense turn of events will have readers holding their breath.”
Publishers Weekly, Star Review

“Jessica shares the struggles of being a big sister in this collection of 34 poignant poems . . . Spring colored line drawings in pen-and-ink and digital media are filled with engaging details, expressive characters, and lots of humor, and bring the family dynamics to life while the verses build to a climatic situation that brings these youngsters together in a touching way.”
School Library Journal, Starred Review

“This touching portrayal captures well the many mutual acts of kindness and tolerance inherent in healthy sibling relations.”
Kirkus Reviews, Starred Review

“George conveys a deep understanding of nature . . . in a way that is readily accessible to children.”
ALA Booklist, Starred Review

Awards/ Honors Received:
* Lee Bennett Hopkins Poetry Award for previous works
* Two CLCSC Myra Cohn Livingston Poetry Awards for previous works
* SCBWI Golden Kite Award for previous works
* Two Claudia Lewis Poetry Awards for previous works
* Association for Library Service to Children/ALA Notable Children’s Books-Nominated Titles for 2011 Annual Conference for Emma Dilemma: Big Sister Poems.
* ALA Notables for previous works
* NCTE Notables for previous works
* School Library Journal Best Books for previous works
* Hornbook Fanfare for previous works
* Oppenheim Toy Portfolio Gold Award for previous works
* IRA-CBC Children’s Choice Awards for previous works


Questions to Ask Before Reading:

Invite children to open-up and discuss the following questions prior to reading aloud Emma Dilemma: Big Sister Poems.
*Ask the children who in the group is a Big Sister or Big Brother?
* Ask if those children enjoy being a Big Sister or Big Brother?
* Ask what things they do to help their little siblings learn how to be a Big Kid?
* Ask how they like it when their little siblings follow them around or get into their things or if those things happen at their houses?
* Ask them if they have any special stories of being a Big Sister or Big Brother they would like to share with the Group?
* Ask them if they know what a Family Tree is? And who is all included in a Family Tree
* Ask them if they have ever watched their little sibling get hurt and wonder if it was their fault? What happened and how did Mom and Dad react?

Suggestions for Reading Poems Aloud:
A quote before starting
“Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.”
Jorge Luis Borges

* Divide the room into “Big Sisters and Big Brothers” have each Big pick another classmate to act out the poems “Accident” or “Trespass” and see what the emotions are with the children. Do they see the anguish and pain that Jessica feels when Emma falls or do they understand the meaning of trespassing and what it feels like to have someone “shop” in their personal belongings.
* Also have the “Big” Classmates work with their little counterparts on the poem “Emma’s Birthday.” Have a prop of a little stuffed duck to use to illustrate the importance of getting and giving a gift to or from a sibling. This signifies the gift of giving as well as receiving and how importance it is to be polite and caring.
* Have the class tell their favorite knock, knock joke – each student should write it out on a 3x5 note-card and present it to the class.
Then read aloud the poem “Funny” and see how they respond. Also read aloud “Not Funny” and see the difference in the children, how the mood changes and discuss feelings.

Follow Up Activities:
Writing
* Have each student write a letter to their parents describing their role and placement in their respective families.
* Have each student do a book report on their favorite Picture Book. Then read aloud the poem “Picture Books” and discuss why those books are their favorites and how they can use those favorite books to teach their younger siblings about life.
* Discuss the meaning of homework and how it can be fun by reading aloud “Homework.” Then have the students come up with a homework assignment of their own using crayons and paper just like Emma.

History / Genealogy
* Have each student put together as simple family tree with the names of their immediate family members. Incorporate this into an Art project by taking that initial information and building upon it to create a Forest of Trees with construction paper, glue, real tree leaves and any other treasures of the woodlands. This will give the classroom or library a great imaginative setting but also illustrate the importance of where we came from and who is part of our family. Read aloud “Family Tree” to illustrate what a family is and how even the littlest twigs make the tree full.
* Discuss the meaning of Freedom. What is it and what does it mean to each student? If you could go or do anything, what would it be, where would you go and who would you choose to go with you? Write all this into a personal student journal for reflection at a later date in the semester.
* Read aloud the poem “Below” and talk about any tragic events in each students life – has anyone ever broke an arm before? If so how did it happen? Talk about the responses in class and spur discussion. Read through the poems “Hospital” and “Return” and get a gage on how the students react to being in the hospital. Have each student draw a picture of the various people you meet in the hospital and what they do and how they help.
* Make fun casts for each student to wear on their arm of choice. Use colored construction paper bound with glue and tape in a cylinder shape around the arm. Ask each student to decorate their cast – and have their fellow students sign it or decorate the casts. Ask the questions – who would you have sign your cast and what would they write?

Related Web Sites:
This is a wonderful site about the author and the motivation behind her poems and writings. This site is voted An American Library Association Great Web Site for Kids.
http://www.kristinegeorge.com

This site is very beneficial in that it gives creative ideas for incorporating literature and children – how to make it fun and exciting!
http://childrensliteraturenetwork.org

This is the review site for Kirkus Reviews. This site gives a great summary of books as well as hits the highs and lows of works with reviews posted in a timely fashion. The site is also great at opening one’s eyes to other works that might be perfect and right in line with your genre of thinking.
http://www.kirkusreviews.com

This site is helpful to find information regarding specific authors or illustrators. Houghton Mifflin Reading is the host and they do a great job at linking important information for the teacher or scholar.
http://www.eduplace.com

This site links you to important information regarding authors, illustrators, publishers and other creators of books for Children and Young Adults. I enjoyed reading the reviews.
http://www.jacketflap.com

This blog was a great resource for finding poetry that is new or unpublished. This site features thoughts and opinions on children’s literature. In April of 2011 the blogger featured 30 poets in 30 days.
http://gottabook.blogspot.com

Related Poetry Books for Children:
These books are great resources to add into a read aloud experience. I found that the best way to search is to start reading and find the poem that matches or has elements of what you are linking it to.
Such as, in Emma Dilemma: Big Sister Poems, the poem “Late for School” is similar to a poem titled “School Daze Rap” by Carol Diggory Shields. Both poems focus on the issue of the tension related to being late for school and all the obstacles in the way of actually making it on time.

Shields, Carol Diggory. 1995. Lunch Money And Other Poems About School. Ill by Paul Meisel. New York: Dutton Children’s Books. ISBN 0-525-45345-8.

This book has a great feeling of sibling love and unity. The poems focus on the life of Alfie the big brother to Annie Rose and what he teaches her about life and lessons.

Hughes, Shirley. 1995. Rhymes for Annie Rose. Ill. By the author. New York: Lothrop, Lee & Shepard Books. ISBN 0-688-14220-6.

This book again deals with the trials and tribulations of taking something that is not yours. Similar to the poem “Trespass” from Emma Dilemma: Big Sister Poems. This poem by Susan Pearson is titled “Who Swallowed Harold?” which is written about an older brother who swallowed a fish that didn’t belong to him.

Pearson, Susan. 2005. Who Swallowed Harold? Ill. By David Slonim. New York: Marshall Cavendish. ISBN 0-7614-5193-5.

Other Poetry Books:
Cleary, Brian P. 2004. Rainbow Soup, Adventures in Poetry. Ill. By Neal Layton. Carolrhoda Books, Inc. Minneapolis: MN. ISBN 1-57505-597-X.
Greenfield, Eloise. 2004. In the Land of Words. Ill. By Jan Spivey Gilchrist. New York: Harper Collins Publishers.
ISBN 0-06-028993-7.
Shields, Carol Diggory. 2010. Someone Used My Toothbrush, and Other Bathroom Poems. Ill. By Paul Meisel. New York: Dutton Children’s Books. ISBN 978-0-525-47937-6.
Waters, Fiona. 1999. Time For A Rhyme. Ill. By Ailie Busby. London: Orion Children’s Books.

About the Author:
Kristine O’Connell George says she “fell in love with children’s poetry” in 1989 in a children’s poetry writing class taught by Myra Cohn Livingston for the UCLA Writer’s Program. She has been writing and learning ever since.

Her first highly acclaimed book, The Great Frog Race, was published in 1997 which one many awards and honors. On her website she features Studebaker, a gift of a paper mache frog which is a rendering from her book The Great Frog Race. Studebacker travels far and wide with George. He is petted, patted and smothered with kisses at all his gigs. George is a native Coloradan but lives with her family in California where she enjoys the poetry she sees and hears out her back door.

About the Illustrator:

Nancy Carpenter’s first job out of college was that of a graphic reporter for a major news service. Her first illustrations appeared in such newspapers as the New York Times. Getting to know art was something Carpenter learned as she worked as a graphic reporter.

Her big break came as she was hired to create a book cover. After succeeding in the eyes of the publisher she has been illustrations picture books ever since. She loves to draw dogs but look closely to find her cat illustrated in each book she works on.


Used with permission of Courtney Komar and Kendra Caskey.




































Wednesday, April 20, 2011

FAMILY by Micol Ostow


Poetry Tag continues with a book review of a new book of poetry connected to yesterday's book review.

Today’s tagline: Another verse novel about a difficult situation

Guest Reviewer: Jennifer Bednorz

Featured Book: Ostow, Micol. 2011. Family. New York: Egmont.



Jennifer writes: This novel in verse tells the story of Mel as she runs way from her dysfunctional, abusive home. In San Francisco she is found by a charismatic leader, Henry, and offered sanctuary in his "family." Set in California during the era of free love and dirty hippies, the story parallels the real life story of the Charles Manson's family and their attempt at helter skelter.

Poems in this book are written in first person and told from Mel's point of view. Ostow reveals through the poems that Mel was disconnected from her mother and was sexually molested by her step-father whom she was instructed to refer to as "Uncle." This sets up the scenario for Mel to be looking for a place to belong when Henry finds her and invites her to join the family. The repetition of certain phrases like "no ego no i" and "no mother no father" lets the reader visually see the brainwashing that Henry is using to control Mel and his other "children." By offering love, drugs, and a home, he manipulates his “children” to do his bidding.

As the story unfolds, phrases are set in italics and brackets "<>". The phrases that are set apart reveal that Mel is beginning to question the mind control happening on the ranch. The end of the book presents a twist that the reader does not see coming, given the need to belong that Mel expresses and the home that the family offers.

Although it could be used to teach poetry in an English class, I see the true teaching power in this book through its message and not necessarily through the form. Exploring this novel in a psychology course while discussing cults would be a powerful experience. It would also allow students to see poetry in a cross-curricular light as a medium for conveying meaning without getting bogged down in the mechanics of rhyme and meter.

Tomorrow’s tagline: Another sensitive novel in verse

[We’re more than halfway through Poetry Month—still time to grab a copy of PoetryTagTime, an e-book with 30 poems, all connected, by 30 poets, all connected and downloadable right now at Amazon for your Kindle or Kindle app for your computer, iPad or phone. Just 99 cents.]

Image credit: PoetryTagTime; Egmont

Posting (not poem) by Sylvia M. Vardell and students © 2011. All rights reserved.

Wednesday, April 13, 2011

EMMA DILEMMA by Kristine O’Connell George


Poetry Tag continues with a book review of a new book of poetry connected to yesterday's book review.

Today’s tagline: Poems about a pair of sisters

Guest Reviewer: Karla Phipps

Featured Book: George, Kristine O’Connell. 2011. Emma Dilemma: Big Sister Poems. Ill. by Nancy Carpenter. Clarion. ISBN 978-0-618-42842-7

Karla begins:

“Mom, she is bothering me!”
“No, I’m not!”
“Are too!”
“Are not!”

This has been an argument heard at many houses all around the world and will continue as long as siblings strive to build relationships with each other. The relationship between sisters is a very special one. Many of us have at one time viewed our little sisters as pests and would like for them to leave us alone, instead of constantly interrupting us. The poems in this award-winning book do an amazing job of introducing the reader to the unique and often hard to understand relationship between sisters. The author, Kristine O’Connell George, uses her experience as a big sister to give a unique perspective in her writing.

The author uses the connection between Jessica and Emma to appeal to the emotions of the reader. Each person at one point in their life has seen their younger sibling as an ally, a playmate, but also as the enemy. Each of the poems has a natural cadence and rhythm, and is not written in rhyming format. This format would be excellent for choral reading. The language used by the poet can be easily understood by the reader and each of the poems, along with the illustrations by Nancy Carpenter, stimulates the imagination of the reader.

In the following poem, “Emma Dilemma,” the poet presents an interesting description of dealing with the frustrations of having a pesky younger sister.

“Emma Dilemma”
by Kristine O'Connell George

Sometimes Dad calls my little sister Emma Dilemma.
Dad says a dilemma is an interesting problem.
I know Dad’s joking but sometimes Emma is my dilemma.

Each of the poems included in this book shares different facets of the relationship between two sisters and helps to reinforce the purpose of this book, which is to show the love and sometimes intense dislike between two siblings. As much as our siblings do things to drive us crazy, such as trying to copy each thing that we do or embarrass us in front of our friends, we still love them. The reader will feel many different emotions throughout the reading of this book, as the poems share Jessica’s daily struggles with her little sister, ranging from pride to intense sadness.

Connections
As a way of sharing this book, I would use this book as a way of introducing a study of family relationships. I would begin with the question, “How do you feel when your sibling does something to bother you?” Depending on the grade level, students may need to know what the word “sibling” means. After allowing students to verbally share how they would feel and writing these down on chart paper, I would share the poem, “Trespass” from the book. Students could then complete a journal entry about their siblings. An example could be:

When my little sister (or brother) takes something of mine, I feel _______.

To extend this activity, I would have the students complete a home project sharing information about their families with different questions, such as what type of activities does your family like to do together, how many siblings do you have, and what makes your family special. This is an activity that my first grade students complete each year. Older students could write their relationship with a sibling.

Tomorrow’s tagline: Poems about another pair

[You can still purchase your own copy of PoetryTagTime, an e-book with 30 poems, all connected, by 30 poets, all connected and downloadable right now at Amazon for your Kindle or Kindle app for your computer, iPad or phone. Just 99 cents. Don’t miss it.]

Image credit: Clarion; PoetryTagTime

Posting (not poem) by Sylvia M. Vardell and students © 2011. All rights reserved.

Friday, August 07, 2009

Livingston, I presume

I love book sales, particularly library book sales, and last week I hit a gold mine at the annual Plano (TX) Public Library used book sale. Of course, I’m always digging for poetry, but I rarely run across any volumes that I do not already have. But this time… bingo!... I found nearly 30 fabulous out-of-print titles. This is a bittersweet moment, because I’m sad that they’re no longer on the library shelves and I wonder how often (or whether they’ve been) checked out and shared. But I’m tickled to give these orphans a home and will pore over them to enjoy poems that are new to me, even if the books are old.

In particular, I bought several collections written and/or edited by the Grande Dame of poetry for children, Myra Cohn Livingston, including:

No Way of Knowing; Dallas Poems (1980)
--can you guess why I love this collection and was so excited to get my own copy? Myra lived in my city for 12 years (1952-1964), and the poetry here is a tribute to a local woman and the African American community here

Poems of Christmas (1984)
I Like You, If You Like Me; Poems of Friendship (1987)
--although Myra published plenty of her own poetry, she was also a gifted anthologist who assembled beautiful collections with amazing range, like these two

Worlds I Know (1985)
--a child’s point of view on spending time with family, especially grandparents

Higgledy-Piggledy (1986)
--Peter Sis illustrates every page with tiny sketches of the perfect boy, Higgledy-Piggledy, lampooned by a contemptuous peer

Sea Songs (1986)
--if I remember correctly, these “song” collections (also Earth Songs, Sky Songs, Space Songs) were some of the first anthologies to appear in picture book form with double-page spread art (expressive paintings by Leonard Everett Fisher). Very visual, with only one poem on each double-page. [UPDATE: I am wrong about that. I have since learned that there were indeed illustrated picture book poem collections in the 1970's-- such as Do Bears Have Mothers, Too? by Aileen Fisher and illustrated by none other than Eric Carle (1973).

There Was a Place (1988)
--such poignant poems from the child’s point of view about living with divorced parents or in “broken homes” and coping with separation

If I had to pick only ONE of these to reissue, I think I’d go with this one. The short, rhyming poems are so true, so direct, and sadly timeless. Kids worry so much when their families hit a rough spot—sometimes we forget how much they observe and feel. Here’s the first poem from the book, just as a sample:

Lost Dog
by Myra Cohn Livingston

When I came home
and you weren’t there
I wondered,
worried—tell me where

you went
and why you
left
alone.

I’ve called and called.

Why are you gone?
Why did you leave?
Where did you roam?

When will you sniff your long way home?

from: Livingston, Myra Cohn. 1988. There Was a Place and Other Poems. New York: Margaret K. McElderry Books, p.1

Why are these wonderful books all out of print? Why is nearly impossible to find nearly any of Myra’s books in print? It’s just crazy! So many of today’s poets learned at her feet. And so much of her poetry (and her collections) feels so timeless.

Her birthday is coming up soon (August 17), and although she is no longer with us, please dig around for her work on the library shelves and in anthologies. (Check out my Aug. 17 posting in 2007 for a more thorough tribute to Myra.) By the way, the Children's Literature Council of Southern California presents a Myra Cohn Livingston award for outstanding poetry each year. Lovely legacy!

It's not too late to check out the Poetry Friday gathering at The Miss Rumphius Effect.

Posting (not poem) by Sylvia M. Vardell © 2009. All rights reserved.

Image credit: tularepubliclibrary.wordpress.com

Sunday, April 19, 2009

Not-poetry by poets

More catching up...

Poets are writers, first and foremost, I know that, but still I’m surprised when I find fiction or nonfiction books by the poets I love. I’m seeing several this spring, with more to come, I’m sure.
  • Verse novelist Sonya Sones has a new picture book written with her husband Bennett Tramer, illustrated by Chris Raschka entitled Violet and Winston (Dial), sweet (autobiographical) tales of a friendship between a duck and a swan.
  • Nikki Grimes has a new easy reader chapter book that is sure to please transitioning readers, Make Way for Dyamonde Daniel, illustrated by R. Gregory Christie (Putnam).
  • I think the upcoming picture book, The First Dog by J. Patrick Lewis (with Beth Zappitello) illustrated by Tim Bowers (Sleeping Bear Press) is not-poetry, and perfectly timed!
  • John Grandits has a new picture book coming out, The Travel Game, illustrated by R. W. Alley (Clarion).
  • I just read Jane Yolen’s lovely historical picture book, My Uncle Emily, illustrated by Nancy Carpenter (Philomel) about Emily Dickinson’s relationship with a special nephew.
  • I featured the wonderful Rebecca Kai Dotlich’s picture book, Bella & Bean, in my online Poetry Month Guide for Simon & Schuster that I mentioned previously. It’s ALMOST poetry in that it’s about two friends, one of them a poet who struggles with finding time to think and write, while still being a good friend.
Today, I’d like to mention Mary Ann Hoberman’s forthcoming novel for middle grade readers, Strawberry Hill (Little, Brown). It’s a Penderwicks-style novel, neither cynical nor sentimental, about a year in the life of a girl growing up during the Depression. Allie is 10 and has just moved into a new home on Strawberry Hill. Hoberman chronicles her year of adjustment, as Allie goes to a new school, makes friends, and tries new things. It’s a family story in the best sense of the word, with incidents and anecdotes about life in a well-adjusted family, in a neighborhood peopled with a variety of personalities.

It’s a very gentle historical novel that captures a sense of the period and the financial difficulties facing nearly everyone in one way or another (and feeling very relevant once again). I loved the tiny details that suggest life in the 30’s, particularly regarding how the kids entertained themselves (calling out to play, having tea parties with dolls, cutting out paper dolls, etc.). I grew up on Betsy-Tacy and the like, so this feels like a familiar throw-back to such girl books. Fans of the American Girl novels will love Strawberry Hill.

Hoberman makes the formula fresh with a clear, fresh first-person point of view that knows and sees just what a ten year old would experience. Plus, each chapter is ever-so-brief in just 4-5 great read-aloud pages that nearly stand alone as story vignettes. There is also genuine tension in the plot as a friend-of-a-friend makes a disparaging comment about her being Jewish. Religion is a running thread throughout the story and leads to Allie’s gradual revelation about how we choose and keep friends. Here’s just a taste.

Chapter 20 begins:

“The night before school started, I couldn’t fall asleep for a long time. I kept worrying about what was going to happen, whether some kids would be mean to me, whether I would make any friends. I had seen Center School from the outside, but I had never been inside it. It was three stories high and made out of dark red brick, just like my old school. But it had a high fence all around it and it was in a different kind of neighborhood. Instead of houses like in New Haven, there were stores and gas stations and some old boarded-up buildings. It looked a little scary.

The next morning I woke up really early. My mother came into my room, still in her nightgown. She asked me how I was feeling. I said I wasn’t exactly sure.

‘I understand,’ she said. ‘You’re feeling apprehensive. It’s only natural to feel a little apprehensive on the first day at a new school.’

I had never heard that word before, but it sounded just right. I repeated it to myself as I started to get dressed: ap-pre-hen-sive. I got out my writing folder and added it to the list on my word animals page: appreHENsive. I had already collected some others: COWard; DOGged; sCATter; BULLet; sPIGot; scalLION.”

Hoberman, Mary Ann. 2009. Strawberry Hill. New York: Little, Brown, p. 109-100.

I love how poets inject some word awareness even in their fiction writing! Don’t miss this junior novel from Children’s Poet Laureate Mary Ann Hoberman. The ARC indicates there will be illustrations sprinkled through the book at regular intervals. The strawberry vine decoration in the top corner of every new chapter adds sweet visual interest and I love that novels have returned to the custom of illustrations throughout. I remember poring over pictures like that in my childhood reading, a way to pause and think about the story and imagine what the characters are up to. I hope today’s readers will do the same with Allie, Mimi, Martha, and all the rest.

And of course, follow up with sharing some of Mary Ann’s poetry, especially:
Hoberman, Mary Ann. 1991. Fathers, Mothers, Sisters, Brothers: A Collection of Family Poems. Boston: Joy Street Books.
Hoberman, Mary Ann. 1998. The Llama Who Had No Pajama: 100 Favorite Poems. San Diego: Harcourt.
Hoberman, Mary Ann. 2009. All Kinds of Families. New York: Little, Brown.
+plus her “you read to me, I’ll read to you” story-poem collections.

Image credit: www.hachettebookgroup.com

Posting (not poem) by Sylvia M. Vardell © 2009. All rights reserved.

Sunday, April 12, 2009

Family Poetry for Celebrating

If you’re spending time with family this weekend, Eloise Greenfield’s new poetry collection, Brothers and Sisters: Family Poems (Amistad/HarperCollins, 2009) is a lovely gem to share. This picture book anthology includes 25 poems arranged in three categories: “Brothers,” “Sisters,” and “Brothers and Sisters” with 7-9 poems in each section and this fun opening poem:
Brothers and Sisters

by Eloise Greenfield


Brothers and sisters

can be dear,

can be company,

can bring cheer,

can start arguments,

can make noise,
can cause tears,
can break toys,
can be few
or can be many,

make me wish

I didn’t have any.

Helpful, funny, and good one day,

next day, they get in my way.
Still, I think no matter what,

I’d rather have them
than not.

Greenfield, Eloise. 2009. Brothers and Sisters: Family Poems. Ill. by Jan Spivey Gilchrist. New York: Amistad/HarperCollins, p.5.

The poem topics run the gamut of authentic kid experiences from wrestling, playing, and laughing, to dealing with new siblings and rivalries, looking up and down to older and younger family members, growing up with teens, being mad and making up, relating to grandparents and aunts and uncles, older members looking back, and family fun, and making plans for the future. The first person child’s voice rings true through every poem, with half of them rhyming and half in free verse.

Greenfield’s frequent collaborator, Jan Spivey Gilchrist illustrates each page with watercolor paintings of kids and families in everyday situations. As I looked back over the images, I realized that they represent a range of African American faces and families—lovely and grounded—and the poems add details of names and moments—and still it all reflects and transcends race and culture to speak to all kinds of kids and families.

Pair this with Eloise Greenfield’s family-centered and classic FIRST poem collection Honey, I Love and Other Love Poems (HarperCollins 1978) or Nikki Grimes’ celebratory Hopscotch Love: A Family Treasury of Love Poems (Lothrop, Lee & Shepard 1999). Greenfield also teamed with her mother to create Childtimes: A Three-Generation Memoir, an autobiographical work that describes the childhood memories of Greenfield, her mother, and her maternal grandmother. Plan a poetry picnic for sharing these and other family poems outside spread out on a tablecloth.

In her poetry, Eloise Greenfield tries to involve children in their own worlds. In Night on Neighborhood Street (Dial 1991), Greenfield brings her young readers into the happenings around them examining the life of an urban community. The volume's seventeen poems show children in typical situations, including attending church and playing games with their families. Link this book with Carole Boston Weatherford’s collection, Sidewalk Chalk; Poems of the City (Wordsong/Boyds Mills Press 2001) with poems about the laundromat, local diner, city market, barbershop or Lilian Moore’s Mural on Second Avenue and Other City Poems (Candlewick 2005) which features poems about the city park, shop windows, skylines and bridges, and construction sites. Invite the children to list places they enjoy in their communities. What poems might they write to celebrate their favorite spots?

Remember Eloise again on May 17, coming soon, on her birthday.

Also note: National Library Week is April 12-18

Image credit: cdn.harpercollins.com

Sunday, April 05, 2009

TLA poet Hope Anita Smith: Mother

Our fifth and final poet at the TLA Poetry Round Up was Hope Anita Smith and what a treat it was to meet her! She burst onto the poetry scene in 2003 with her first book for young people, The Way a Door Closes which won The Coretta Scott King/John Steptoe New Talent Award, a Lee Bennett Hopkins Poetry Award Honor distinction, and recognition as a School Library Journal Best Book of the Year. Last year’s book, Keeping the Night Watch was a powerful follow up focusing on the teenage protagonist and his responses to his father’s return after abandoning the family.

Her newest book, Mother; Poems, takes us in a slightly different direction, sharing (autobiographical) moments between a 12-year-old girl and her beloved mother who dies suddenly. In many ways, it parallels her two previous books with her trademark voice of the young teen/tween, the delicate thread connecting poem-to-poem, with rhyming and rhythmic poems, as well as long free verse poems, all evoking a natural rise and fall of emotions, with a palpable sense of loss and longing. The same pleasing 6 x 9 size of the book is also consistent across all three volumes, creating a kind of trilogy of family poetry.

One brand new element is the art created by the poet herself! These are 20 exquisite torn paper collages that are rich in texture and deep colors, giving heft to the story that emerges, but allowing readers to project our own feelings into the faces-without-features. A photo of Hope Anita and her mother bookends the beginning and ending of the book (hunt for it at the end). It’s a tender, loving package. And it was a privilege to hear her read from this collection and sense the layers of life experience behind each poem—remembering her own mother and her own stories.

Here’s a sampling that somehow makes me feel both daughter AND mother feelings, and one that I think could lead to lovely conversations between kids and their parents.

Q and A
by Hope Anita Smith


I never thought to ask my mother
what I was like when I was a baby.
Did I laugh a lot?
Was I fussy?
Did I have a favorite toy?
What was my first word?
When did I roll over? Crawl? Walk?
Did I ever like carrots?
Mothers give us our stories,
at least the beginning.
My mother left before she got a chance to
give me mine,
and I forgot to ask.
God should have made me smarter.
I am remembering less and less about my mother
and wanting to know more and more about me.

Smith, Hope Anita. 2009. Mother; Poems. New York: Henry Holt, p. 53.

This collection reminded me very much of Nikki Grimes’ poignant poetry book, What is Goodbye? (Hyperion, 2004) told from the point of view of a brother and sister reflecting upon the death of a much loved brother. Three other poetry collections about love and loss are:

Grimes, Nikki. 1999. Hopscotch Love: A Family Treasury of Love Poems. New York: Lothrop, Lee & Shepard.
Heard, Georgia. 2002. This Place I Know: Poems of Comfort. Cambridge, MA: Candlewick.
Nye, Naomi Shihab, comp. 1999. What Have You Lost? New York: Greenwillow.

And for more poetry about mothers, look for:

Hopkins, Lee Bennett. 1995. Been to Yesterdays: Poems of a Life. Honesdale, PA: Wordsong, Boyds Mills Press.
Micklos, John Jr. 2001. Mommy Poems. Honesdale, PA : Wordsong, Boyds Mills Press.
Mora, Pat. 2001. Love to Mama: A Tribute to Mothers. New York: Lee & Low Books.
Myers, Walter Dean. 1998. Angel to Angel: a Mother’s Gift of Love. New York: HarperCollins.
Thomas, Joyce Carol. 2001. A Mother’s Love: Poems for us to Share. New York: J. Colter Books.
Wong, Janet. 1999. The Rainbow Hand: Poems about Mothers and Children. New York: Margaret K. McElderry.
Yolen, Jane and Heidi E.Y. Stemple. 2001. Dear Mother, Dear Daughter: Poems for Young People. Honesdale, Pa. : Wordsong/Boyds Mills Press.

Mother’s Day is just around the corner and sharing this book and the memories it may evoke in loving relationships could be a very special treat. Thank you, Hope Anita, for coming to Texas and sharing yourself and your work. Next time, I hope you will SING for us, too! ☺

Image credit:us.macmillan.com

Friday, June 13, 2008

New Review for Father's Day: KEEPING THE NIGHT WATCH

In honor of the upcoming Father’s Day on Sunday, I’d like to highlight a new poetry book by Hope Anita Smith, Keeping the Night Watch (Henry Holt, 2008). It’s her second book for young people, a companion to her first work of poetry, The Way a Door Closes (Henry Holt, 2003). In the first book, an urban African American family copes with the departure of the father when hard times have hit. It’s a compelling work for ‘tweens and teens with sensitive illustrations by E. B. Lewis. In this companion volume (which can stand on its own, by the way), the father has returned. You might think it would be a happy, easier time, but this transition brings it’s own difficulties and challenges as the father tries to re-integrate into the family. In particular, the voice of the poetry is that of the oldest son in the family of 3 kids, and he’s bitter and angry. He has stepped up and served as the “man of the house,” blossoming in responsibility, and “keeping the night watch” as the title suggests. He struggles with giving up this role and with forgiving his father’s failure. Here’s one example poem that captures these feelings:

Showdown at the O.K. Corral
by Hope Anita Smith

When Daddy left,
our house was empty,
too big for the rest of us.
We couldn’t fill up all the space.
Now that he’s back,
I can’t find a place to fit.
There isn’t enough room for me.
Daddy looks the same,
but something’s different.
He takes up too much space.
He’s in my space.
His eyes are constantly
waving the white flag of surrender,
but I am like a gunfighter in the Old West.
I walk around with my words drawn,
ready to fire.
Because this house isn’t big enough
for the two of us.

From: Smith, Hope Anita. 2008. Keeping the Night Watch. New York: Henry Holt, p. 13.

Smith is the recipient of the 2008 Coretta Scott King/John Steptoe New Talent Award and her first book garnered several recognitions, including:
  • NCTE Notable Children’s Books in the Language Arts, 2008
  • Bank Street Best Children's Book of the Year, 2008
  • Bank Street Claudia Lewis Award, 2008
  • Books for the Teen Age, New York Public Library, 2008
  • Lee Bennett Hopkins Poetry Award Honor Book, 2008
This new work is sure to be just as successful.

And here are some more books for young people with poems about fathers and father figures:
Appelt, Kathi. 2004. My Father’s Summers: A Daughter’s Memoirs. New York: Henry
Holt.
Fletcher, Ralph J. 1999. Relatively Speaking: Poems about Family. New York: Orchard.
Grimes, Nikki. 1999. Hopscotch Love: A Family Treasury of Love Poems. New York: Lothrop, Lee & Shepard.
Grimes, Nikki. 1999. My Man Blue: Poems. New York: Dial Books.
Grimes, Nikki. 2002. When Daddy Prays. Grand Rapids, MI: William B. Eerdman.
Hoberman, Mary Ann. 1991. Fathers, Mothers, Sisters, Brothers: A Collection of Family Poems. Boston: Joy Street Books.
Livingston, Myra Cohn, comp. 1989. Poems for Fathers. New York: Holiday House.
Moss, Jeff. 1997. The Dad of the Dad of the Dad of Your Dad. New York: Ballantine.
Sidman, Joyce. 2000. Just Us Two: Poems about Animal Dads. Brookfield, CT: Millbrook Press.
Steptoe, Javaka, comp. 1997. In Daddy's Arms I Am Tall: African Americans Celebrating Fathers. New York: Lee & Low Books.

For more Poetry Friday gems go to Cloudscome at A Wrung Sponge.

Picture credit: hbpub.vo.llnwd.net/.../Tilted/9780805072020.jpg

Friday, April 04, 2008

Poetry for Seniors

I recently fielded a question from a student about sharing poetry with senior citizens. This is an interest area of mine, too, since I have older family members who have found poetry to be meaningful to them. Several years ago, I read about a nursing home project in which people were invited to share memories and stories from their younger years and then guided in writing about them through poetry—almost a “found” poetry approach, placing key words, ideas and phrases in poetic arrangements. One of my favorite resource books that includes activities used with seniors is:

Morice, D. 1996. The Adventures of Dr. Alphabet. New York: Teachers and Writers Collaborative.

Dave Morice provides options for creating poems in unusual formats with people of all ages, but he also specifically shares examples of working with seniors. His ideas are generally quite playful and unorthodox, but can be lots of fun, too. Here is just a sampling of the 104 choices:
*Autumn leaf poems
*Postage stamp poems
*Rolodex poems
*Thumb book poem
*Poetry poker
*Poetry checkers
*Poetry mazes
*Social security poem
*Shakespearean sonnet maker
*And many more

Another resource book that sounds promising is From Deep Within: Poetry Workshops in Nursing Homes (New York, NY. Haworth Press, 1989) by Carol F. Peck.

And if you're looking for a few poetry books for young people that might also be particularly appealing to seniors, you might consider:

Harrison, David L. 2004. Connecting Dots: Poems of My Journey. Honesdale, PA: Wordsong, Boyds Mills Press.
Heard, Georgia. 2002. This Place I Know: Poems of Comfort. Cambridge, MA: Candlewick.
Hoberman, Mary Ann. 1991. Fathers, Mothers, Sisters, Brothers: A Collection of Family Poems. Boston: Joy Street Books.
Hopkins, Lee Bennett. 1995. Been to Yesterdays: Poems of a Life. Honesdale, PA: Wordsong, Boyds Mills Press.
Lansky, Bruce. 1994. If We'd Wanted Quiet, We Would Have Raised Goldfish. Meadowbrook Press.
Mora, Pat. 2001. Love to Mama: A Tribute to Mothers. New York: Lee & Low Books.
Nye, Naomi Shihab, comp. 1992. This Same Sky: A Collection of Poems from Around the World. New York: Four Winds Press.
Steptoe, Javaka, comp. 1997. In Daddy's Arms I Am Tall: African Americans Celebrating Fathers. New York: Lee & Low Books.
Willard, Nancy, comp. 1998. Step Lightly: Poems for the Journey. San Diego: Harcourt.
Wong, Janet. 1999. The Rainbow Hand: Poems about Mothers and Children. New York: Margaret K. McElderry.

Here’s one “grandma” poem that really speaks to me—across the generations and across cultures. It’s by a Pakistani poet and comes from Naomi Nye’s amazing collection, This Same Sky: A Collection of Poems from Around the World (Four Winds Press, 1992).

Grandmother
by Sameeneh Shirazie
(Pakistan)

I hadn’t asked her much,
just how she felt,
and she told me all about her day,
and how she’d washed the sheets,
and how she could not understand
why the towel got so heavy
when it was wet.
She’d also sunned the mattresses,
such tired bones and so much to do,
and my eyes filled with tears
when I thought of how I was simply
going to say “Salaam” and walk away
and so many words would have been
trapped inside her.
I would have passed by as if
what lay between those bedclothes
was just old life
and not really my grandmother.

[Note: “Salaam” meaning “peace,” is often used as a greeting.]
From: This Same Sky collected by Naomi Shihab Nye (Four Winds Press, 1992)

For more poetry, join the Poetry Friday crew at my former student's blog (go, Becky!) Becky’s Book Reviews.

Picture credit: www.blushbutter.com

Friday, June 15, 2007

A Poem for Father’s Day

Father’s Day is coming up, so I dug around for a favorite poem about dads. Right away I thought of my favorite collection of dadly poems for kids, In Daddy's Arms I Am Tall: African Americans Celebrating Fathers (New York: Lee & Low, 1997). I can’t believe it has been a decade since that book was published! The beautiful, textured collages of Javaka Steptoe (son of author/illustrator, John Steptoe, Mufaro’s Beautiful Daughters, another favorite of mine) won him a Coretta Scott King Illustrator award for his very first picture book. And the compilation of poems by a variety of African American poets is fresh and appealing—across cultures, across ages, across generations. Here’s one of my personal favorites.

Artist to Artist
by Davida Adedjouma

I write books, now, because my father wanted
to be an artist when he grew up & he was good
at it, too. Drew people with meat on their bones
in flesh-colored tones from my 64-colors box
of crayons. But
every night - & sometimes even weekends & holidays -
he dressed in the blue uniform & black shoes
of many other fathers who also weren't doctors or lawyers,
teachers or preachers, & rode the 10:00 p.m. bus
to the downtown post office. Sorted mail by zip code -
60620, 60621, 60622. He sorted mail all night &
into the day because we had bills to pay. For 30 years
my father rode the bus feeling black and blue. He
never drew and his degrees in art & education sat
hardening on a shelf along with his oils
& acrylics. But
along with his gapped teeth, his bow legs & and his first name
with an A at the end, he gave me the urge to create
characters with meat on their bones, in flesh-colored tones
written in words as vivid as a 64-colors box of crayons.
I write, he drew. Daddy, thank you!
& now that you're
retired ...
... what do you want to be?

Picture credit: Lee and Low Books

Friday, May 11, 2007

A pair of poems for Mother’s Day

I love my mom, but I’ve always thought of Mother’s Day as holiday promoted by the greeting card industry. Even as a mom myself, I just don’t get this whole thing. It’s nice to acknowledge our moms, of course, but the holiday is so loaded with saccharine expressions that are just a bit cheesy IMO. That said, I wanted to share two poems that I find meaningful on the subject of parents and parenting. One, “Warmth” is written by a child and the other “Grown Children,” is by New York Poet Laureate, Sharon Olds. Together, they have us looking ahead and looking backward…

Warmth
By Richard Furst
Grade 10

I walked through the empty kitchen
to the door,
to leave the warmth of home
for the bitter-cold anxiety of
a Monday at school.
Ducking the old dogwood outside,
I heard a familiar call,
and turned to see my mother
waving me off to school,
sending me a small fire
to keep my heart a little warmer.

From Ten-Second Rainshowers: Poems by Young People compiled by Sanford Lyne. Simon & Schuster, 1996.

And pair with Sharon Olds’ poem about “Grown Children” which begins observing a baby toddling on the beach and ends with the lines:

Grown Children
by Sharon Olds

… And now our daughter
is asleep on the couch, not six pounds
thirteen ounces, but about my size,
her great, complex, delicate face
relaxed. And our son, last night, looking closely
at his sweetheart as they whispered for a moment, what a tender
listening look he had. We raised them
daily, I mean hourly—every minute
we were theirs, no hour went by we were not
raising them—carrying them, bearing them, lifting them
up, for the pleasure, and so they could see,
out, away from us.

From The Unswept Room. Knopf, 2002.

Picture credit: rocksinmydryer.typepad.com