Friday, February 27, 2026

Cover Reveal: TRUCKS, BOOTS, AND BELLS: Firehouse Poems by Mary E. Cronin

I am honored to help Mary E. Cronin launch her upcoming poetry book, Trucks, Boots, and Bells: Firehouse Poems (Holiday House, 2026) illustrated by Aaron Marin and due out in early October. It's a collection of rich and engaging poems that grew out of Mary's own childhood experience growing up with a firefighter father. So special! 
Drumroll... time for a cover reveal: 






About the book:


Trucks, Boots, and Bells is a lively, playful poetry collection about the tools, tasks, and teamwork of a busy city firehouse, written by the daughter of a New York City firefighter.

Poet Mary E. Cronin brings the workings of a firehouse to young readers in poems that burst with rhyme, wordplay, and content knowledge. Poems in this collection cover the action of firefighting, such as climbing a high ladder, commanding the forceful pressure of a firehose, and rescuing a puppy from a smoky fire. Cronin also gives readers a close look at firefighting equipment and gear, such as the boots, helmet, and metal tools used for pulling down ceilings and busting open doors. Aaron Marin’s dynamic illustration style captures the action, the peril, and the camaraderie of the fire crew and their work. Detailed back matter offers curious readers and fire buffs even more information about the inner workings of a busy firehouse.

Mary’s inspiration for the book: 

I grew up in the Bronx, the daughter of a city firefighter who battled blazes during the “Bronx is Burning” era. That planted the seeds of this poetry collection. Although we left the Bronx when I was 12 years old, my father continued his work there-- fighting scores of fires, believing in the borough even as it spiraled into the chaos of arson and financial peril. At the end of each shift, when my father returned home, we would hug him and smell the smoke of the blazes he’d helped to put out. We could see the remnants of ash and soot spiderwebbing across his fingers and knuckles, a reminder that his job was dangerous. Sometimes he landed in the hospital with injuries sustained in a fire. Yet he never lost his love for the job, his dedication to his firefighters and to the community he served-- that inspired my own career as a public educator. I had the pleasure of recently visiting the firehouses he worked in during his 30-year career: Engine 90 as a firefighter, and Engine 71 in the South Bronx as a lieutenant. The smells, the sounds, the energy-- it’s all still there. That’s what I tried to deliver to children in Trucks, Boots, and Bells-- a portrait of a group of people who work with hearts and hands, putting their bodies on the line each day to make their community safer. I worked closely with illustrator Aaron Marin; we wanted to make sure the fire crew was diverse so that all young readers would find inspiration and role models in the pages and poetry of Trucks, Boots, and Bells.

About the author:


Mary E. Cronin is a poet, author, and educator who writes books and poetry for young readers that shine a light on unsung heroes and the work they do to knit together their communities. Mary is a graduate of Vermont College of Fine Arts; her poetry has appeared in 
numerous anthologies for young readers and in The New York Times. Trucks, Boots, and Bells is her debut book. Mary’s second picture book is slated for spring 2027 from Atheneum/Simon & Schuster. Like a Mother Bear, a picture book biography of PFLAG founder Jeanne Manford, is a stirring upstander story. A seasoned educator, Mary has worked as a kindergarten teacher, special educator, and Literacy Coach; she leads poetry workshops at elementary schools in Massachusetts and New York. She is represented by Lori Steel of SteelWorks Literary, and you can find her at www.maryecronin.com. You can pre-order Trucks, Boots, and Bells here, or at your favorite bookshop or online retailer.

Thank you, Mary, for this glimpse into this important book-- such a special, personal connection, too!  Now head on over to Reflections on the Teche where Margaret is hosting our Poetry Friday gathering. 

Saturday, February 14, 2026

Poetry (Dress) Giveaway

UPDATE: Thanks to all my poetry friends for your interest! All the clothing items have been claimed and shipped. I hope you all enjoy them with my love and I just wish I had more to give away! 

Well, I have discovered that once I retired I have become obsessed with downsizing my life and belongings. Maybe it's because I'm traveling all the time (Antarctica! The Galapagos! Japan! Kansas City!) or because I'm more focused on grandkids or maybe it's because the current political climate feels apocalyptic! Whatever the reason, I'm ready to part with my poetry wardrobe. Although I still read poetry, buy books, follow poet careers and promote poets and poetry book whenever I can, I'm seldom at conferences now and thus not wearing my crazy Ms. Frizzle poetry skirts and dresses that I made for myself over the years. So, if you would like one of these items, I would love to mail it to you (free of charge). Just let me know!

Here are the details: they are nothing fancy and all worn (except one--the unfinished gray dress). They're homemade from a simple jersey knit fabric and lined. Each piece has a different phrase on it (repeated over and over). Each is a different color. I've identified each one with its color and phrase-- and even a photo of when I wore it. (Photos even include my dear friend and collaborator Janet Wong and several other sweet poet friends!) Each of these is more-or-less a size 10-12 or M/L. It's very stretchy fabric, so these can go a bit bigger and definitely made smaller. There are no buttons or zippers, they just go on over your head. VERY simple and homemade (by me). They are also machine washable. [The skirts are short-- above the knee with an elastic waistband.] If you have any questions, just let me know and I can provide further info. 

All I ask is that you send me a photo of yourself (or someone) wearing it-- or if you want to turn the fabric into something else-- a photo of that! I did take one of my poetry dresses and turn it into a fun throw pillow. (It's the dress with the word "poetry" in many different languages.) So you are welcome to take the dress and make something else out of it. (Skirt? tote bag, drawstring bag, puppy blanket, baby quilt, etc.) In case you're wondering, I'm still keeping my "Think Poetry" shirt and my crazy poem-filled tights! I still wear those even now. 

If no one is interested, no problem. Goodwill, here they come. 








Monday, February 09, 2026

Cover Reveal: A Poem for Dudley Randall: Poet and Publisher of the Black Arts Movement by Don Tate

I am honored to participate in the COVER REVEAL for Don Tate's new picture book, A Poem for Dudley Randall, Poet and Publisher of the Black Arts Movement (Abrams, 2026). What an important. compelling story about a real person who made a big difference and what a dynamic, inviting cover! 




A Poem for Dudley Randall: Poet and Publisher of the Black Arts Movement

ISBN: 978-1-4197-5435-7; Publication date: September 15, 2026; Abrams
Here's the publisher link for the book too.

Description: 
The only picture book biography of Dudley Randall—a poet, publisher, and leader of the Black Arts movement of the 1960s from award-winning author Don Tate and Coretta Scott King Illustrator Award Honoree and New York Times bestselling illustrator Laura Freeman. 

Dudley Randall’s first published poem appeared in the Detroit Free Press when he was only 13 years old. He continued to write, and as he grew older, he realized that his voice could be powerful. 

When calls for equal rights were growing louder during the civil rights movement, Randall wrote the “Ballad of Birmingham” in response to an incident of senseless violence against a Black community in Alabama—and suddenly, the world was paying attention to his words. 

But Randall knew that most publishing companies were ignoring Black writers. In 1965, he founded the groundbreaking Broadside Press to give a platform to Black creatives like Audre Lorde, Gwendolyn Brooks, Nikki Giovanni, and Sonia Sanchez, as well as his own work. Randall and his fellow writers used their literary voices to express pride in Black history and culture. 

Integrated throughout the story as well as the back matter, Randall’s most famous poems help bring the story alive. Back matter also includes more information about the famous figures and historical movements discussed in the narrative. 

Here's what Don has to say about being a poet and writing this biographical picture book about poet and publisher Dudley Randall:

As a child, I didn’t understand poetry and saw poets as highbrow, artsy-fartsy types who spoke in florid language and convoluted metaphors. Their symbolic and ambiguous language flew clean over my literal-minded brain. As a kid, I found poetry frustrating. Poems seemed mysterious, hard to understand, and weird. 

Thankfully, I understand poetry better now, and I love it. Today, I primarily make my living as a poet. Don’t get me wrong, I don’t wake up each morning to write sonnets. And I can’t recall ever writing a haiku. “Onomatopoeia” and “alliteration” are fairly new terms to me—and please don’t ask me to define them. Given all that, you may wonder how I can consider myself a poet. The reason is that I am a full-time writer and illustrator of picture books for children.

When I first wrote A POEM FOR DUDLEY RANDALL, I used straightforward prose. As usual, I struggled with sentence structure and paragraph formation. I fretted over how to make my words sound poetic. Those first drafts were pallid, to say the least. Then I wrote the story as a poem—and it came alive!

Picture books marry evocative words and images. They tell big stories in a compact space. They distill emotions and experiences to their core. Poetry is the heart of a picture book. Dudley Randall often described poetry as an efficient, concentrated form of language, one in which he could say in a few lines what might take pages of prose. I finally understood these concepts while researching and writing Randall’s biography.

Unlike me, Randall discovered the power of poetry as a child. He wrote his first poem at age 3 and published one at age 13. He studied influential poets and poetic forms, marking up his poems with scansion. Randall became a poet and a publisher of other poets' work during the Black Arts and Civil Rights Movements, making their work more accessible. I look forward to introducing the story of Dudley Randall to children who may not consider themselves poets today but will after reading A POEM FOR DUDLEY RANDALL: POET AND PUBLISHER OF THE BLACK ARTS MOVEMENT (Abrams, Sept. 15, 2026).

About the author:
Don Tate is an award-winning author and illustrator of numerous critically acclaimed books for children. His accolades include two Ezra Jack Keats Awards and an honor, the Carter G. Woodson Book Award, two Christopher Awards, a Lee & Low New Voices Honor, and a Texas Bluebonnet Award Master List selection, among many others. A native of Des Moines, Iowa, Tate currently resides in Austin, Texas, with his wife and son. Laura Freeman is a Coretta Scott King Illustrator Award Honoree. Her work has been recognized with an NAACP Image Award, reached The New York Times bestseller list, and has been honored by the Society of Illustrators, and the Georgia Center for the Book. She has illustrated more than 30 children’s books, and her editorial images are frequently seen in The New York Times and other periodicals. Originally from New York City, Freeman now lives in Atlanta, Georgia.

Congratulations, Don and Laura! 

Thursday, January 15, 2026

Sneak Peek list of Poetry for Young People 2026

It's time to share my "sneak peek" list of anticipated poetry books for young people set to be published this year. MY LAST LIST! After 20 years of maintaining this blog, I'm bringing it to a close--mostly. I may post here and there, but I would LOVE for someone else to pick up the mantle and post a "sneak peek" list next year and in the future. I'm happy to share the tips I've found helpful. Just let me know! 

Meanwhile, here's the list I've gathered so far-- including poetry books and novels in verse--for children and young adults. I'm sure I've missed some, so please let me know of any titles to add. (I'm not including rhyming or poetic picture books). Once again, I'm so happy to see so many goodies heading our way-- by many new names, too. Woohoo!

Sneak Peek list of Poetry for Young People 2026

  1. Adjoa, Delali. 2026. The Free Verse Society. Peachtree Teen. 
  2. Alexander, Kwame. 2026. The Mighty Macy. Ill. by Kitt Thomas. Little, Brown. 
  3. Arango, Andrea Beatriz. 2026. No Place on Earth. Random House. 
  4. Barnes, Derrick. 2026. Do It for the People. Ill. by Gordon C. James. Versify.
  5. Barrow, Rebecca. 2026. Doe. Penguin/Nancy Paulsen Books. 
  6. Bennett, Joshua. 2026. The World Is Full of Beautiful Quiet Things. Ill. by Minako Tomigahara. Little, Brown. 
  7. Biddle, Kimberly A. Gordon. 2026. As You Are: A Hope for Black Sons. Ill. by David Wilkerson. Magination Press. 
  8. Bigna, Sandy. 2026. Little Bones. Simon & Schuster. 
  9. Bulion, Leslie. 2026. Nature’s Remarkable Partners: Wild Poems for Two Voices. Ill. by Robert Meganck. Margaret Quinlin Books. 
  10. Caprara, Rebecca. 2026. Eva to the Max. Dial. 
  11. Chapman, Ty and Tison, Ari. Eds. 2026. Witness: Poems to Address the Past, Present, and Future of Policing. Ill. Damon Davis. by Lerner/Zest. 
  12. Classey, Paige. 2026. Anna-June and the Last Summer. Random House. 
  13. Cole, Olivia A. 2026. Blood Lick. Labyrinth Road. 
  14. Cronin, Mary E, 2026. Trucks, Boots, and Bells: Firehouse Poems. Ill. by Aaron Marin. Holiday House. 
  15. Elliott, David. 2026. At the Edge: Curious Creatures of Planet Earth (Paws, Fins, Feathers, Claws). Ill. by Clover Robin. Candlewick.
  16. Engle, Margarita. 2026. Evamar. Atheneum.
  17. Engle, Margarita. 2026. Wifredo's Jungle. Abrams.
  18. Fischer, Max. 2026. The Unpoetic Life of August Grey. Scholastic.
  19. Florian, Douglas. 2026. Thank You, Sun.  Beach Lane Books. 
  20. Fogliano, Julie. 2026. Because of a Shoe. Ill. by Marla Frazee. Knopf.
  21. Fraillon, Zana. 2026. Song of a Thousand Seas. Simon & Schuster. 
  22. Freeman, Megan E. 2026. The Secret of Belonging. Atheneum. 
  23. Ghigna, Charles. 2026. The Very Hungry Caterpillar’s First Book of Poems. Ill. by Eric Carle. Random House.
  24. Goodwin, Idris. 2026. Don’t Drop the Mic. Ill. by Kaylani Juanita. HarperCollins.
  25. Heard, Georgia. Ed. 2026. Words I Might Have Eaten. Ill. by Paige Keiser. Astra/Calkins Creek. 
  26. Henderson, Judith. 2026. Counting Poems. Reycraft Books.
  27. Holt, K.A. 2026. Javier and the Cone of Uncertainty. Chronicle.
  28. Hughes, Langston. 2026. Melodies of the Weary Blues: Classic Poems Illustrated for Young People. HarperCollins. 
  29. Iqbal, Shagufta K. 2026. Everything in Between. 
  30. Jett, Brianna. 2026. Under a Carnivore Sky. Page Street. 
  31. Ko, Christine. 2026. Love Language. Sorra Books. 
  32. Kuyatt, Meg Eden. 2026. Perfect Enough. Scholastic. 
  33. Lamb, Simon. 2026. A Passing on of Shells. Ill. by Chris Riddell. Scallywag Press.
  34. Latham, Irene and Waters, Charles. 2026. For the Win: Poems About Pivotal Moments in the Lives of Phenomenal Athletes. Lerner/Carolrhoda. 
  35. Latham, Irene. 2026. Come In! Come In! Ill. by Amy Hevron. Astra/Wordsong.
  36. LaTulippe, Renée. 2026. Limelight: Curtain Up on Poetry Comics! Ill. by Chuck Gonzales. Charlesbridge.
  37. MacCulloch, Jone Rush. 2026. Tilt: Like Climbing a Tree. River Oak Press
  38. Malee, Alison. 2026. All I Can Tell YouIll. by Chantal Horeis. Paw Prints.
  39. Manley, Curtis. 2026. Chasing Eruptions: How Volcanologists Maurice and Katia Krafft Helped Save 60,000 Lives—But Lost Their Own. Ill. by Katherine Roy. Clarion. 
  40. Martin, Erica. 2026. Onward We Marched. Ill. by Alleanna Harris. Penguin/Flamingo. 
  41. Metcalf, Lindsay H. 2026. Footeprint: Eunice Newton Foote at the Dawn of Climate Science and Women's Rights. Charlesbridge.
  42. Metcalf, Lindsay H., Dawson, Keila V., and Bradley, Jeanette. Eds. 2026. No Brain the Same: Neurodivergent Young Activists Shaping Our Future. Charlesbridge.
  43. McCullough, Joy. 2026. Kestrel Takes Flight. Atheneum. 
  44. Mole, Simon. 2026. Poetry Pizza. Ill by. Tom McLaughlin.
  45. Moses, Brian. 2026. I am Ray’s Imaginary Friend. Ill. by Bethan Welby. 
  46. Murray, Yvette R. 2026. Celebrate We Gullah Geechee. Ill. by Tonya Engel. Free Spirit. 
  47. Newman, Lesléa. 2026. Song of the Dead Sea Scrolls. Ill. by Vesper Stamper. Enchanted Lion. 
  48. Oliver, Mary. 2026. Goldfinches. Ill. by Melissa Sweet. Viking. 
  49. Park, Linda Sue. 2026. Just One Gift. Ill. by Robert Sae-Heng. HarperCollins/Clarion.
  50. Patel, Khushboo. 2026. All That Chandni Knows. Putnam. 
  51. Paul, Miranda. 2026. House of Joy: A Celebration of Lucille Clifton, Author and Poet. Ill. by Jerry Jordan. Henry Holt. 
  52. Peña-Govea, René. 2026. Estela, Undrowning. HarperCollins/Quill Tree Books. 
  53. Piercey, Rachel. 2026. Wisdom of the Woods. Ill. by Freya Hartas. Magic Cat.
  54. Randall, Julian. 2026. Shook. Henry Holt. 
  55. Safadi, Shifa Saltagi. 2026. Sisters Alone. Putnam. 
  56. Salas, Laura Purdie. 2026. Meet the Mighty Helpers. Ill. by Julia Patton. Astra Young Readers. 
  57. Salazar, Aida. 2026. Stream. Scholastic. 
  58. Saltzberg, Barney. 2026. You Can Count on a Cat: And Other Poems About Cats. Holiday House/Neal Porter Books. 
  59. Santaeulàlia, J.N. 2026. Time for Haiku. Ill. by Lucian Lozano. Trans. by Lawrence Schimel. Red Comet Press. 
  60. Seigal, Joshua. 2026. I Tell Myself I’m Awesome. Ill. by Chris Piascik. Bloomsbury.
  61. Singer, Marilyn. 2026. Whose Tree Is This?: Poems About the Mighty Oak and Its CompanionsIll. by Julian Plum. Millbrook Press.
  62. Sterer, Gideon. 2026. What Is the Wind? Ill. by Guojing. Clarion.
  63. Taylor, Susan Johnston. 2026. If Pets Wrote Poems: A Parody Collection. Ill. by Sandie Sonke. Gnome Road Press. 
  64. Toalson, R. L. 2026. Love, Sivvy. Little, Brown. 
  65. Wagamese, Richard. 2026. Canada. Ill. by Mangeshig Pawis-Steckley. Tundra/Swift Water Books.
  66. Wenjen, Mia. 2026. Barbed Wire Between UsIll. by Violeta Encarnación. Red Comet Press.
  67. Wilson, Kip. 2026. Backpack, Boy, Berlin: Based on a True Story of World War II Espionage. Candlewick. 
Now head on over to BookSeedStudio where Jan is hosting our Poetry Friday gathering! 



Thursday, May 01, 2025

GUEST POST: Chris Baron on SPARK

I'm so pleased to welcome Chris Baron to the blog today with his guest post on his forthcoming novel in verse, Spark. This powerful novel shows how personal experience plus extensive research can combine to tell a truly compelling and timely story.

Research, Poetry, and Discovering the Lore in Spark
by Chris Baron

I’ve never researched for a book, more than I have researched for Spark. I’ll be honest. I love to research, and like most writers, I find joy and inspiration in the process. But during a recent school visit, when I told the young readers about how much I researched, they groaned. Actually groaned. “Research?” “for poetry?” “Isn’t that boring?” I told them that yes, sometimes it can be boring, but it also gives us a chance to learn even more about what we care about! They didn’t buy it. But that’s when one brave soul raised their hand and said. “I like to learn more about the Star Wars universe.” And it was on. We talked about how they know everything about Pokémon, and Star Wars, and books they love, stories they read over and over. They know the “lore” of the world and the characters. “That’s what research is in stories.” I told them. “It’s the lore of the world you are creating for your story.”

“Even in poetry?” they questioned. 

“Yes. Especially for poetry. In fact, poetry is the only way I can write about a friendship so deep, and an experience so challenging.” 

At its very heart, Spark, my new, middle grade novel in verse, is about the friendship between Finn, who just wants to do well in school even though his family has had employment struggles, and Rabbit, his feisty best friend, who, if she could, might just live in the national park near their home in the California Sierras. Together, they love watching their trail cameras and learning about the animals in the forest.. They even want to use their trail cameras for their eighth grade project.

But the climate is changing. The seasons are all mixed up. It’s dry, and the fire danger casts a shadow over their green lives. Like so many places around the state, and around the country, communities are suffering. When the wildfires come to their town, the kids must suddenly evacuate and their worlds are turned upside down. They must escape. Live evacuated, and eventually return, but to what? 

What can kids do against such a threat?

So what’s the “lore” of Spark? It is, of course, our world. And with such real threats we face, like wildfires, climate change, over-development, and a host of other things, I wanted to create an authentic world and in some small way hopefully represent the unreal impact of wildfires.

My own experience with the devastating wildfires in San Diego, plays an enormous role in my understanding of the story.

The Cedar Fire outside my house (Photo credit: kpbs)

I remember orange skies, watering down roofs, getting animals to safety. I even wrote poems trying to cope.


But my own experience was only the start. I decided to travel across the state to meet people, visit locations, and discover as many voices as I possibly could.

Remains of a house in Rancho Cuyamaca State park 

The research allowed me to infuse the book with authentic language from firefighters like Matt Ryan, and Torii Cooper, Park Ranger/Photographer with the National Park Service. Provide authentic animal encounters guided by renowned researchers like Roland Smith, and current, historical and cultural significance of fire by working with Frank Lake, Tribal Liaison and ecologist for the US Forest Service. Their voices and experiences come alive as characters, settings, and messages of hope and understanding. In the author’s note in the book, I have extensive information and credits to all of those people and organizations who helped in the creation of the book, and I am forever grateful to them. They are the voices of the “lore” in the story.

But how does research work in verse?

Every poem is a chance to dive deeper into the minds and hearts of the characters and what they are experiencing. Poetry is a form of expression that speaks for the heart and allows the reader (or hearer) to explore the internal landscape of a character.. We, especially young people, often have so much to express about what they have seen and experienced, but need time and language to process. Poetry is so often the language of the quiet and extraordinary soul.

Research provides some of the richest opportunities to inspire poems. t’s well known that CS Lewis' famous work The Lion The Witch and The Wardrobe, was initially inspired by an image of a faun carrying packages in the snow. Sometimes a single image can inspire an entire book! Researching galleries of images and exploring the many fires, Paradise, Camp, Cedar, Witch Creek, was extremely difficult. It was so hard to see them up close, devastating. But it’s real. Those scenes find their way into the book. Here’s one where Finn and his mom first see a photo of their own town.

Photos

The Hollows is unrecognizable—

life

interrupted.

Skeletons of cars,

a basketball hoop

with a melted backboard,

cracked plant pots,

bent street lights,

barbecue grills torn apart,

a hollowed trampoline,

and everywhere houses should be,

nothing

but ashes

and silence.

But there are also images of hope and healing. Firefighters rescuing animals, notes left on door frames, and windows of houses they saved, and couldn’t save.

Sorry for tracking dirt on the

upstairs carpet needed to close

windows to keep fire out!

RHHotshots

Through research with ecologists and indigenous tribal liaisons, I also found so many startling and amazing facts about wildfires, their importance to the regions, historically and culturally, and how important it is that we learn the greater “lore” of wildfire. This created an abundance of inspirations. I wrote so many poems that never made it into the book in their first-draft form. Here’s an example, a poem, “Alive,” that eventually exists as just a few lines in the book, but is taken directly from a process used by first rangers.

Alive

It’s alive! I shout!

Uncle Charlie looks back,

lowers his glasses,

reaches into a pouch

pulls out a wiry flag

and places it at the base

of the living tree.


Good, he says. That’s excellent.

holding it up to the light

This tree needed

the fire to germinate.


The other kids

come to see

the living tree.


He looks toward the sun,

points a finger at the sky

and back to the forest floor.

Most teachers teach

with as many words as possible.

but Uncle Charlie is a great camp counselor

He wants us to figure things

out for ourselves.


Jonas, he says,

lift up that pinecone.

He lifts it up from the sooty ground

Now shake it


When he does,

flittery seeds

on tiny wings

fall out from

between the cracks.


These are serotinous cones

they need the fire to be free.


All of us stare

at the pinecone

while seeds

fall into the ashes.

Finally, when Finn and Rabbit discover something incredible and mysterious in the forest, their hope of preserving that last remnant of the living forest, Forest Heart. is sparked even as developers have other ideas. This is when they decide to use their love and experience with trail cameras to become unlikely activists.

Here are some of the remarkable trail cameras channels that I researched and consulted to help create their experience.

Links for Trail Camera Channels:
Swan Valley Connections: https://www.youtube.com/@SwanValleyConnectionsCondon

The very famous Pennsylvania Trail Camera
https://www.youtube.com/watch?v=JyrbqiCokdw

I’ll conclude with this. Research and poetry are perfect companions. Poetry is often the exploration of a single thought, idea or image. Something moved us or affected us so much, that there are no “normal” words that can express the transcendent nature of it. In writing Spark, I knew I couldn't capture the wide range and depth of living with wildfires, but in verse, there are portraits, moments, voices, relationships, healing, and, dear reader, hope, that we can all share together. Here’s one last poem from Spark.

Hope

Hope is the simplest thing—

a warm bed to sleep in,

a loving voice,

saying goodnight.

Hope is sunlight

through the morning window.

Hope is omelets

and French toast for breakfast.

Hope is pine cone scales

opening wide,

the seeds flying off

into the wind.

Hope is oak saplings

coming to life

somewhere out there

in the ashy earth.

Hope is walking

in the forest with Rabbit

imagining any second

we will discover

something new.

Hope is believing

that the ones you love

love you back,

even when you can’t see them.

Hope is having

enough faith

for someone else,

even when you might

not have enough on your own.

Spark is out July 15th. You can preorder signed editions from here.

Head on over to A(nother) Year of Reading where our fearless leader Mary Lee Hahn is hosting our Poetry Friday gathering this week. 

Thursday, April 24, 2025

Guest Post: Lee Wardlaw on MY BOOK OF FIRSTS

I invited Lee Wardlaw to give us a sneak peek into her new poetry book, My Book of Firsts: Poems Celebrating a Baby's Milestones illustrated by Bruno Brogna and published by Red Comet Press. Lucky for us, she shares an interview led by fellow poet Kristine O'Connell George, author of Old Elm Speaks, Toasting Marshmallows, Little Dog Poems, Hummingbird Nest, Emma Dilemma, and many more. Here they dig deep into Lee's process in creating My Book of Firsts.

*  *  *  *  *  *  *  *  *  *  *. 
*  *  *  *  *  *  *  *  *
KRISTINE: I admire how creatively and deftly you used off rhyme. Can you tell us more about how you construct your rhyme schemes?

LEE: Yikes. Couldn’t you start with an easier question, such as “What is your middle name?” (I’ve always hated it and don’t use it. I’ll give you a hint, though: it’s a palindrome.*)

As for rhyme schemes: First, I decide what the poem is going to be about. Then, with paper and pen, I brainstorm what sorts of things I want to say, possible ways to say them, who might say them, etc. And thenI scribble words or sounds or phrases that rhyme with the words and sounds and phrases I might use in the poem. I jot down true rhymes, off rhymes, internal rhymes; big words, little words, multisyllabic words. Everything. And when an inkling inkles, I use whatever paper is handy: notebooks, paper placemats, grocery store receipts, the back of a canceled check…

I used to have a rhyming dictionary, and I’d boost my brain with words from that; now I visit RhymeZone.com because it’s both a rhyming dictionary and a thesaurus – which is handy when I’m stuck for a rhyme and need to find a synonym that rhymes with more words than the original one did.

Sometimes my brainstorms are very neat. Other times – not. Doesn’t matter. The deeper and messier I get, the better the words are. I never want to use the first words/rhymes that come to my mind, because those tend to be cliched, predictable, ho-hum.

KRISTINE: The poems in MY BOOK OF FIRSTS are such fun to read aloud. Do you read your poems aloud as you are working?

LEE: Constantly (to the great frustration and confusion of my cats, who think me speaking aloud is a precursor to petting or feeding them). All poetry is meant to be read aloud. Sure, you may need to read poems silently in certain situations, but to get the full effect of the sounds, rhythms, the rhymes, you MUST hear them. A poem is learned best, understood best, enjoyed best, when read aloud. And, obviously, since babies can’t read, reading aloud is the only way to share the poems from my book!

Too, reading my work aloud helps me to hear mistakes: places where the meter and rhythm are off, where a line doesn’t flow naturally or doesn’t fit the expected pattern. I can also hear the places where I trip or stumble. And I can better hear if a word truly rhymes or if I’m simply forcing the word to rhyme. I once had a spat with an editor because I used the word ‘mirror’ as a one-syllable word, pronouncing it ‘mere.’ She said, “No, no, no. It’s TWO syllables. Mir-ror.”

I said, “But I pronounce it as ONE syllable.” Her response: “Doesn’t matter. Most people don’t. Choose a different end word.” That wasn’t so easy. I had to rewrite the entire stanza.

KRISTINE: You are a trained Montessori teacher. Did that experience influence this or your other books? If so, how?

LEE: I have a B.A. in Education and a public school teaching credential. But I’ve always been fascinated with Dr. Maria Montessori’s work, and my son attended an AMI Montessori school for 11 years. So at the tender age of 53, I went back to school to get my M.Ed. in Child Development and my Montessori certification for teaching at the primary level (ages 3-6). I didn’t intend to teach; I just wanted to write better books for children. What I learned is: From that first breath at birth to quasi-maturity at age 24 (okay, for some people, 42), children go through four stages of dramatic physical, intellectual, emotional, and psychological changes. Knowing what these changes are, and when and how they appear, has helped me to better choose age-appropriate themes, construct believable, authentic characters, and hook kid-readers from the first sentence. I know the difference between what kids find hilarious at six months and what cracks them up at age six – and 16! – and why. And I now know the important milestones they must reach in those first three years of life in order to build upon that knowledge, that development, as they grow. I teach workshops for writers about this. When you write for children and teens it’s crucial to know your audience. And for young readers, that means it’s hugely helpful to take crash course in child development.

KRISTINE: Designing your book as a keepsake was an inspired decision by your publisher, Red Comet Press. I can see MY BOOK OF FIRSTS being one that stays in a family for generations. What keepsakes did you keep (or wish you had kept) from your son‘s very early years?

LEE: I kept a lock of Patterson’s soft, wispy hair from his first haircut. I also kept his first tooth. True confession time: I kept all his baby teeth! Well, except for the one that popped out when he bit into his seat belt while we were on a ride. That tooth got lost somewhere in the crumb-y, dusty depths of his car seat. I kept the rest of his wee chompers in a small crystal jar with a sterling silver lid. My great-grandmother’s initials are engraved on the top. One day, when Patterson was 12 or 13, he found the jar and shook it. It made a faint chinka-chinka sound. “Hey, what’s in here?” he asked.

“Take a peek!”

He did. “WHAT the - - are those - - ?”

“Yep, your baby teeth!”

“Mom. MOM. That is just…GROSS.” 


He was so creeped out, and I was so embarrassed, that I threw them away. But I saved other ‘first’ items from his babyhood, like the remaining scrap of his favorite blankie. “Rag” is too good a word for it. But it’s poetry in cotton flannel to me. Oh! I also saved most of Patterson’s toothpaste collection. He started collecting tubes when he was two. (Don’t ask why. We don’t know.) Friends heard of his collection and brought tubes home from their travels. France. Israel. Mexico. Japan. China. Iceland. Patterson kept them in a container under his bed, so his room always smelled minty fresh. That story is going to be a picture book someday…”

KRISTINE: What question(s) do you wish someone had asked you? (Besides your preference for milk or dark chocolate?

Lee's first hat!
LEE: But dark chocolate is LIFE. And my favorite is: Trader Joe’s The Dark Chocolate Lover’s Dark Chocolate. It is The Best. 

But I wish someone had asked me about MY firsts. So here are a few: First Word: Kitty. First Cat: Pit-a-Pat. Got him when I was 7. First Haircut: Didn’t get one till I was 3. My mom said I was bald for a very long time. First Poem I Wrote: “The Midnight Ride of Mouse Revere.” (Refrain: “The Cats are coming! They Cats are coming!” ) First Hat: See picture  

>>> Thank you to Lee and Kristine for this fun look at the poet's process and the intersection of life and writing! Be sure to look for My Book of First's-- the perfect gift for a family expecting a new baby or for prompting older kids to learn more about their own arrival! 

Now let's meet up at Heidi's place, My Juicy Little Universe, for our Poetry Friday celebration. See you there! 

Monday, April 07, 2025

Blog Tour: Nikki Grimes and A CUP OF QUIET


Photo credit: Marchel Hill 
I'm so happy to welcome Nikki Grimes to the blog today. I've been a huge fan of hers for YEARS. She's won nearly every imaginable award including a lifetime achievement award from NCTE for her poetry and from ALSC and from CSK for her entire body of work. She's a legend! So many amazing works from her poetry collections, novels in verse, picture books, and a memoir. So many of her works are landmark books, like her prose-poetry blending in Bronx Masquerade, her spunky girls Danitra Brown and Dyamonde Daniel, her novels in verse for middle grade readers like Garvey's Choice (now also a graphic novel), her golden shovel poem collections like One Last Word, her powerful memoir, Ordinary Hazards, her picture book biographies like Talkin' About Bessie-- I could go on and on and on. And she's still going strong! 

Her newest book debuts April 15 and I'm so happy to be part of the virtual book tour to help launch it. A Cup of Quiet is a lyrical picture book about a loving grandma and imaginative granddaughter as the little girl gathers all the quiet noises she discovers in her backyard garden and gifts that "cup of quiet" to her grandma. I asked Nikki four questions to explore a bit of background about this gem of a book Here are her thoughtful, interesting responses.

1. Where did the idea for A Cup of Quiet come from?


Silence and quiet have grown increasingly important to my work over the years, and so I have long been attentive to both, and have particularly mulled over the difference between the two. Silence is refreshing, but I relish the quality of quiet found in nature. I wanted to celebrate that. Nature's quiet—which can be quite noisy, if you're paying attention—is a source of both inspiration and calm. It is musical, rhythmic, and dynamic. It is, in fact, the very stuff of poetry. And it can be a great source of healing, if we allow ourselves to take it in. I wanted to write a story that would allow readers to experience a moment of that in a book. And who better to orchestrate such a moment than a grandmother?

2. The illustrations are almost as lovely and lyrical as the narrative.  Were you able to consult with the illustrator, Cathy Ann Johnson, in creating this book?

 

I never consult with my illustrators because I dare not interfere with their creative process. The minute an author does that, you risk inhibiting the artist's creativity. That's one bell you cannot un-ring. Anything you say creates a boundary the artist may not be able to circumvent and, thereby, limits the possibility of what an artist might have been able to create, or which wonderful, fantastical direction the art might have taken. Instead, I focus on being involved in the selection of the artist. If I trust that the style and sensibility of an artist's work is right for my book, then I trust them to interpret my story, and to bring their own, complementary visual narrative to the party. That is very much what happened here with the luminous work of Cathy Ann Johnson.


 3. You have so many loving grandmas in this picture book and in your poetry.  Can you share memories of special grandmas or grandma friends?

 

The grandma in this book is very much a grandmother of my imagination, as are many of the grandmothers in my stories and novels in verse. I only had one grandmother—my mother's mother—and she was nothing like the grandmas of my imagination, or the grandmother in A Cup of Quiet—except that she was equally stylish. But she was very practical, not given to playfulness, or games of imagination, or overt expressions of emotion. She had a sharp tongue and would routinely whip out a pithy cultural colloquialism that would stop you in your tracks. Say something that she considered silly, or foolish, and she'd cut you off you with "Why don't you use your head for something other than a hat-rack?" This was a pragmatic, no-nonsense grandma who had no time for hanging out in the garden with her granddaughter or talking about imaginary cups of quiet. So, I suppose I've lifted elements of grandmas I've encountered in stories and films, or observed in the lives of people around me. They all helped me conjure up the grandmother in A Cup of Quiet.


4. Which of your previous poems might you pair with this picture book?

"Pineapple Surprise" is a poem I wrote for Food Fight, an anthology of food poems edited by Michael J. Rosen.  I referenced it again in my memoir, Ordinary Hazards.


"Pineapple Surprise" is not a poem about nature, but it is a poem about a grandmother's love for her granddaughter, and how that young girl comes to appreciate the particularly thoughtful, time-consuming, concrete way her grandmother—my grandmother—chose to demonstrate that love.


As a grandma myself, I love this look at the intergenerational love between these two characters. A Cup of Quiet is a lovey book to read aloud-- with its evocative illustrations and perfectly paced narrative. It could prompt a walk together outside, a heightened awareness of the noises around us, and a closer bond between the two. Check it out! 


Now head on over to Live Your Poem where the lovely poet Irene Latham is hosting our Poetry Friday gathering. See you there! 

Friday, March 21, 2025

Let's get KOOKY!

Just in time for National Poetry Month, Janet and I are so excited to announce a new book for kids: MY Kooky Compendium of Thimblethoughts & Wonderfuzz

This is a companion book for Clara’s Kooky Compendium of Thimblethoughts and Wonderfuzz, with fun and funny prompts to ignite kids' imaginations and get them wondering and writing! 

do elephants like music?

things I wonder . . . 

what new holidays should we invent?

here's a list of happy sounds:

These prompts are organized around sub themes and topics to guide young writers in trying a variety of activities. Kids can write IN this book because most of it is BLANK. But around each blank space, you'll find kooky prompts and crazy questions to spur creativity and critical thinking. Here are four sample pages: 

















Janet and I talk about it briefly here:


Let's grow young writers and encourage their wondering, their curiosity, their research, their writing, and their laughter! You can find the book at QEP Books and Amazon. Check it out!
Now head on over to Rose's blog, Imagine the Possibilities, for our Poetry Friday gathering! 

Monday, February 17, 2025

Guest Post: Joan Bransfield Graham and AWESOME EARTH


I'm so happy to share this space with poet Joan Bransfield Graham as she debuts her new poetry collection, AWESOME EARTH: Concrete Poems Celebrate Caves, Canyons, and Other Fascinating Landforms. It is illustrated by Tania Garcia and published by Clarion/HarperCollins on Feb. 18. Here Joan writes about how this book came to be and what influenced her writing of it. 



From Joan: 

At the end of Mary Oliver’s poem “The Summer Day,” she asks, 
young Joan
“Tell me, what is it you plan to do with this one wild and precious life?”
 As someone who grew up on a barrier island at the southern tip of New Jersey, where the waves whispered, “See the world, go beyond the horizon,” I wondered will I ever see what is on the other side of this huge ocean?  Yes!

Eventually, I found that not only did I want to see the world, I wanted to capture it, write about it, photograph it, embrace it. With poetry and photography, you can capture a moment in time, a place, a new perspective. 

The inspiration for this book happened one day when I was in my yoga class.  The teacher asked us to do the “Mountain” pose (Tadasana), to feel its power and majesty.  And I did!  I started to write a poem in my head in the voice of the mountain, a mask poem.  What I scribbled down on a scrap of paper, evolved into my “Mountain” poem. Later I thought about all the amazing landforms on our Earth and realized what better way to write about all these awesome shapes than with shape itself--concrete poetry. This picture book combines poetry, science, art, and the art of words to explore what creates landforms from “Mountain,” “Glacier,” and “Volcano” to “Island,” “Hills,” & “Hoodoos” -- artistic wonders that cover our Earth’s surface.

I did a great amount of research and had learned much from all of my travels.  I have snorkeled in Bora Bora and the Galapagos Islands, hiked on the Great Wall of China and in Machu Picchu in the Andes Mountains. I’ve sailed on the Yangtze River and on the Nile.  I’ve gone black water rafting and cave tubing in Waitomo, New Zealand & much more. What I wrote as sidebars became back matter, along with my glossary, and my additional resources. Of the 16 photos that I submitted, they were able to fit in six.

Artist Tania García, from Barcelona, Spain did a fantastic job with a palette of luscious, jewel-toned colors, creating a glorious, inviting environment for the poems! I love the cover, the whole jacket! ¡Muchas Gracias, Tania—magnífica! And, of course, abundant accolades to my editors Ann Rider (now retired) and Lynne Polvino and the whole team at Clarion/HarperCollins for their awesomeness! 💖

 

Joan with her painting 
Interestingly, many years ago after my second year of teaching, I took a Summer Session Abroad through the University of San Francisco. Majorca, an island in the Balearic archipelago off the east coast of Spain, is almost directly across the ocean from where I grew up. I lived with a Spanish family there and took classes in Landscape Painting and Drawing.  Later I toured through Spain and Portugal and visited Barcelona.  I certainly did get to see what was on the other side of that huge Atlantic Ocean and am so grateful.

Now I am 15-20 minutes from the Pacific Ocean in California. I’ve lived in the north, south, east, and west US and have visited about 50 countries. I want to see as much of our planet as I can and want to open the world for curious, creative children everywhere to enjoy and embrace this Awesome Earth we all share.  As I say on my website, “A good poem surprises your senses, shakes you awake, stirs your emotions, and startles your imagination. Each poem is an act of discovery. Poetry helps us widen our vision and our hearts.”

 


Thanks for helping me celebrate, Sylvia, and for all you do to bring a “passion of poets” together—such an incredible community! Enjoy all of your many travels! ❤️


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AWESOME EARTH -- BLOG/MEDIA TOUR, Feb. 17 – Feb. 21— Pub Date: Feb. 18

Monday, Feb. 17-- Poetry for Children -- Dr. Sylvia Vardell, Professor Emerita, Texas Woman's University, Past President of IBBY, author, and publisher, a look behind-the-scenes (here!).

Tuesday, Feb. 18 – Georgia Heard, poet, educator, author, and inventor of Heart Maps ®, 2023 NCTE Excellence in Poetry for Children Award here and here.

Wednesday, Feb. 19-- Simply 7 Interviews -- Jena Benton Lasley, Alaska SCBWI Illustrator Coordinator, author-illustrator, poet, teacher; interview, plus giveaway:  .

Thursday, Feb. 20-- The Miss Rumphius Effect -- Dr. Patricia M. Stohr-Hunt, Chair, Education Dept., University of Richmond, VA; President, VA Association of College and Teacher Educators (VACTE):  

Friday, Feb. 21-- Jama’s Alphabet Soup — Jama Kim Rattigan, Virginia-based author, blogger, foodie, alphabet lover, picture book nerd; review of book, recipe, plus giveaway: